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For nearly five months, Joe Coscarelli and Melena Ryzik, culture reporters for The New York Times, collected accounts from dozens of sources, who detailed troubling behavior by Ryan Adams, the Grammy Award-nominated singer-songwriter. They outlined a spectrum of inappropriate acts, including emotional abuse of romantic partners and explicit text-message and video-chat exchanges with a minor Mr. Adams never met in person.
In response to The Times’s investigation, several high-profile artists who had worked with Mr. Adams reacted online.
Karen Elson, the model and musician, wrote on Instagram, “I also had a traumatizing experience with Ryan Adams.” (She later deleted the post.) Todd Wisenbaker, a guitarist who has worked extensively with Mr. Adams, posted a statement on Instagram with the caption: “This is incredibly hard for me to do, but Ryan, please get help.” The pop star Mandy Moore, who was once married to Mr. Adams, repeated her own allegations against him on Marc Maron’s “WTF” podcast.
“We’ve seen a number of musicians or people who are in that world say, yes, I’ve had a bad experience with Ryan Adams,” said Ms. Ryzik. In the days since the article ran on Feb. 13, the reporters said they have received at least a dozen additional direct tips.
On Feb. 14, the F.B.I. opened an inquiry into whether Mr. Adams’s communications with the underage fan constitute a crime. Through his lawyer, he has denied the allegations.
Mr. Coscarelli and Ms. Ryzik started their reporting after two nearly simultaneous events early last October: a discussion with a source who alluded to misconduct by a musician who turned out to be Mr. Adams, and an anonymous tip delivered through The Times’s tip line that suggested looking into his treatment of women.
Mr. Coscarelli and Ms. Ryzik reached out to women known to have dated or otherwise been associated with Mr. Adams — touring with him as a supporting act, for example.
With the women who had firsthand experiences and decided that they may want to come forward as sources, “the initial interview was always an hour and a half long, at a minimum,” Ms. Ryzik said.
Over the next few months, they were in contact with those women multiple times, making several trips to Los Angeles and Ohio to speak with them in person. In some cases, sources put them in touch with other women who had stories to share. There were, Mr. Coscarelli said, “many official interviews and then hundreds of texts, emails, check-ins, quick phone calls.” In the days after publication, Ms. Ryzik estimated that she had texted with Ms. Moore six times.
As they listened to the women’s experiences and gathered corroborating information from other sources, they discovered certain patterns of behavior. In relationships, Mr. Adams could be controlling: insisting that one partner, the musician Phoebe Bridgers, prove her whereabouts, for example, and threatening suicide if a woman didn’t respond to his messages immediately. In the case of the young woman who was a teenager when she developed a texting relationship with Mr. Adams, several details stuck out as especially disturbing: video calls on Skype in which he exposed himself; nicknames for her body parts.
Mr. Coscarelli and Ms. Ryzik have worked on several articles about sexual abuse, separately and together. One thing they’ve learned about addressing such a delicate subject is that the women involved know their experiences best. “They know what the most damaging and damning parts of their accounts are,” Ms. Ryzik said. “If something sticks out to them as, ‘This really shows what the problem is,’ then that’s the kind of detail that you want in the story.”
It has been more than 500 days since The New York Times published its first article detailing the film producer Harvey Weinstein’s yearslong record of sexual harassment and assault allegations. The reporting set off a sea change both for Mr. Weinstein, who was arrested last May and is awaiting trial, and for culture at large. The #MeToo movement has unseated titans in industries including media, restaurants, politics and business, in many cases as a direct result of Times reporting that has continued to expose abuses of power and created ripple effects for those involved.
One reason Mr. Coscarelli and Ms. Ryzik, as well as their editors, Caryn Ganz and Ian Trontz, felt the Ryan Adams story was important to tell was it provided a window into the complicated power arrangements that undergird the world of pop music. “The music industry isn’t like Hollywood; it doesn’t operate in the same kind of power structure,” Ms. Ganz said. “An artist can wield just as much power as a large executive; it’s just a matter of their influence and connections.”
Mr. Coscarelli said the Ryan Adams case is an example of a complex spectrum of behavior that includes subtler abuses of power that have been harder to document — but are much more common.
“I think as we’re moving into Year 2 of #MeToo reporting, often it’s not the R. Kellys and the Harvey Weinsteins of the world,” he said, referring to two men who have been accused of rape or sexual abuse by many women, “but people who are abusing their power in more complex, but equally pernicious ways.”
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复式三中三公式表成本【没】【羞】【没】【臊】？ 【听】【到】【叶】【小】【媚】【这】【么】【说】，【朱】【珊】【珊】【不】【禁】【的】【笑】【了】【一】【下】，【道】；“【要】【不】【然】【怎】【么】【说】，【林】【子】【大】【了】【什】【么】【鸟】【都】【有】【呢】，【这】【人】【和】【人】【本】【来】【就】【不】【一】【样】，【不】【然】，【世】【界】【上】【哪】【来】【的】【这】【些】【奇】【葩】【新】【闻】，【行】【了】，【聊】【他】【们】【干】【什】【么】【啊】，【游】【泳】【去】。” 【说】【着】【话】，【朱】【珊】【珊】【兴】【奋】【的】【从】【买】【回】【来】【的】【东】【西】【里】，【翻】【出】【一】【条】【黑】【色】【的】【连】【体】【泳】【衣】，【道】；“【这】【是】【我】【的】。” 【然】【后】
【不】【过】【这】【人】【现】【在】【应】【该】【在】【外】【面】，【怎】【么】【突】【然】【回】【来】【了】？【而】【且】【也】【没】【在】【村】【子】【里】【露】【面】，【反】【而】【是】【找】【到】【了】【他】【的】【母】【亲】。 【听】【老】【人】【刚】【才】【那】【意】【思】，【似】【乎】【是】【她】【儿】【子】【找】【她】【帮】【忙】？ 【一】【个】【老】【人】，【还】【是】【瞎】【了】【眼】【的】【老】【人】【能】【怎】【么】【帮】【他】？【或】【者】【说】【能】【帮】【上】【什】【么】【忙】？ 【越】【想】【越】【疑】【惑】，【陌】【沫】【带】【着】【好】【奇】【心】，【听】【起】【了】【宋】【慧】【兰】【家】【的】【墙】【角】。 “【你】【要】【是】【不】【帮】【我】，【就】【准】【备】【替】【我】
【当】【安】【澜】【钻】【进】【白】【步】【春】【的】【车】【里】，【白】【燕】【莎】【还】【想】【跟】【着】【跳】【上】【去】。 【没】【想】【到】【白】【玉】【坤】【一】【把】【拉】【着】【她】，【小】【声】【的】【说】：“【燕】【莎】【妹】【妹】，【你】【傻】【呀】，【没】【见】【我】【爸】【我】【妈】【好】【不】【容】【易】【才】【凑】【到】【一】【起】，【我】【俩】【就】【别】【给】【她】【俩】【当】【电】【灯】【泡】【啦】！” 【白】【燕】【莎】【听】【了】，【猛】【拍】【自】【己】【的】【脑】【门】。 【龇】【牙】【咧】【嘴】【的】【叫】：“【呀】，【看】【看】【我】【这】【猪】【脑】【子】，【咋】【把】【这】【件】【事】【给】【忘】【记】【啦】，【可】【我】【纳】【闷】【啦】，【看】【你】【妈】
“【对】【了】，【说】【起】【生】【哥】【哥】，【你】【知】【道】【他】【为】【什】【么】【抛】【弃】【你】【吗】？【因】【为】【他】【是】【纯】【阳】【之】【体】，【而】【我】【是】【纯】【阴】【之】【体】，【我】【们】【才】【是】【天】【造】【地】【设】【的】【一】【对】，【如】【果】【他】【身】【中】【某】【种】【只】【能】【跟】【纯】【阴】【之】【体】【双】【修】【才】【能】【解】【开】【的】【奇】【毒】，【你】【觉】【得】【他】【会】【拒】【绝】【我】【吗】？” 【严】【小】【虫】【听】【到】【这】【里】，【竟】【意】【外】【地】【松】【了】【一】【口】【气】。 【看】【来】，【昊】【生】【生】【后】【来】【性】【命】【垂】【危】【不】【是】【关】【子】【寻】【的】【血】【造】【成】，【而】【是】【被】【蓝】【星】【儿】【有】复式三中三公式表成本【都】【说】【女】【明】【星】【自】【律】【起】【来】【超】【可】【怕】,【减】【肥】【瘦】【身】【作】【常】【态】，【什】【么】【节】【食】、【断】【食】【全】【部】【不】【在】【话】【下】，【为】【了】【挨】【饿】【受】【累】【的】【毅】【力】【令】【人】【敬】【佩】。【但】【其】【实】【不】【仅】【是】【女】【明】【星】，【男】【明】【星】【们】【对】【自】【己】【的】【身】【材】【严】【格】【要】【求】【起】【来】，【同】【样】【让】【人】【瑟】【瑟】【发】【抖】。
【韩】【非】、【夏】【小】【蝉】【的】【出】【现】，【沿】【途】【都】【引】【起】【了】【骚】【动】。 【但】【是】，【并】【没】【有】【人】【害】【怕】【他】【们】。【因】【为】【这】【是】【在】【入】【海】【台】【阶】【的】【上】【方】，【即】【便】【黑】【白】【无】【常】【的】【名】【头】【再】【残】【暴】、【再】【凶】【狂】，【都】【不】【敢】【随】【意】【动】【手】。 【更】【何】【况】，【天】【知】【道】【黑】【白】【无】【常】【为】【什】【么】【会】【和】【曹】【家】【小】【胖】【子】【走】【到】【了】【一】【起】。 【沿】【途】。 “【呦】！【曹】【小】【爷】，【您】【这】【是】【回】【来】【啦】？【这】【里】【有】【第】66【层】【产】【出】【的】【冻】【鱼】【髓】，【冰】【镇】
【来】【的】【萧】【大】【人】，【自】【然】【指】【的】【是】【萧】【瑞】【萧】【二】【公】【子】。 【等】【到】【谢】【显】【之】【与】【弟】【妹】【谢】【慕】【林】、【谢】【徽】【之】【齐】【齐】【与】【萧】【瑞】【主】【客】【间】【见】【过】【礼】，【各】【自】【落】【座】【之】【后】，【前】【者】【方】【才】【醒】【过】【神】【来】，【怎】【么】【能】【让】【妹】【妹】【也】【出】【来】【见】【男】【客】【了】【呢】？ 【出】【来】【之】【前】，【二】【妹】【妹】【就】【担】【心】【他】【精】【神】【不】【济】，【会】【客】【时】【会】【失】【礼】，【三】【弟】【谢】【徽】【之】【又】【性】【情】【跳】【脱】，【有】【她】【在】【场】，【好】【歹】【还】【能】【在】【他】【们】【兄】【弟】【出】【言】【不】【慎】【时】【帮】【着】【圆】